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Guide / Set the negative Calibration Area
Set the negative Calibration Area
Choose which parts of a negative the app should analyze. Keep perforations, the light source, and damaged edges out so they do not affect conversion. Use Crop separately for final framing.
Film base, perforations, and exposed image area
Keep the useful image inside the analysis area and include a small clean base region if available. Here, “film base” means unexposed but developed film, including its support, base color, and fog. It is close to the roll’s minimum density and helps estimate the base color without relying only on scene content.
A perforation transmits light directly, unlike developed film. Keep holes, the light source, light leaks, and abnormal borders outside the area. Calibration Area chooses what is analyzed; Crop chooses what is exported. You can retain perforations in the composition while excluding them from analysis.
Before you start
Open a representative negative and locate the image boundaries. Check whether the other frames have similar positions. Reversal film does not need this step.
Steps
Open Calibration Area
Double-click a negative in the Contact Sheet and choose Calibration Area in the Viewer toolbar, next to Crop. Exit any active picker or editing tool first, and zoom out if needed to see all four sides. Identify the image, clean film base, perforations, and light source before dragging the box edges or corners. This tool is not shown in reversal projects.
Negative Contact Sheet with the current selection. A negative appearance is normal with Convert OFF; double-click the photograph to enter the Viewer.Select image to enlarge Locate the analysis box
Opening Calibration Area in the Viewer reveals the pale-blue boundary and handles. Drag them to change the analysis area, not the output crop. The next steps explain how to treat the image, base, and perforations.
Locate the analysis boxSelect image to enlarge Keep the usable exposed image
Keep the usable image inside the box so the app can analyze its tonal and color range. Do not restrict the selection to a face or a white wall. Check all four edges and leave out the light source, perforations, light leaks, obstructions, and clearly abnormal areas.
Keep the useful image and exclude the upper and lower perforations.Select image to enlarge Include a small clean base region if available
If a clean, uniformly colored, unexposed but developed base region is visible beside the image, include a small portion. Avoid edge lettering, dirt, light leaks, abnormal gaps, and perforations. You do not need the entire film border, and base should not dominate the selection. There is no fixed pixel width or percentage: include enough to see a small clean region. If no usable base is visible, keep the image rather than cutting into the subject to find some, and check several converted frames.
Film base does not include holes
This incorrect selection still includes the upper and lower holes. Clean base is film material; the holes transmit light from the lightbox. Including a little base does not mean including the holes.
Film base does not include holesSelect image to enlarge Exclude holes, lightbox light, and plastic
Compare incorrect and correct selections on the same frame. In the wrong selection, red boxes marked 1 identify lightbox light passing through the holes; orange boxes marked 2 identify plastic obstructions. Both are mistakenly inside the pale-blue analysis box. In the correct example, the green outline follows the usable image and leaves these areas outside. A small clean, unexposed but developed base region may be included; a hole is not film base, and plastic is not a dense part of the film.
Incorrect: 1 — lightbox light through holes; 2 — plastic obstructions. Both are inside the analysis box. Switches every 2.8 seconds. Red boxes 1 and orange boxes 2 are tutorial annotations, not app selections; green marks the correct area. Check all four sides, move the pale-blue analysis box inward as needed, then click Apply. Use Apply to All only for matching frame formats and positions. Select an image to enlarge the annotations.
See how a wrong selection affects conversion
The first image includes plastic obstructions and light from the lightbox passing through the perforations. The second shows the conversion produced by that incorrect selection. Plastic is not a dense part of the film, and unobstructed light through a hole is not clear film base. Including them can distort density estimates and change the tone and color of the photographs themselves. Correct the area and reanalyze before compensating with exposure or white balance. Back in the Contact Sheet, inspect several frames: roll analysis uses shared information, not just the current photograph.
Wrong selection: plastic obstructions and lightbox light through the perforations are included. Switches every 2.8 seconds between the wrong selection and its result. This links a selection to its consequence; it is not an aligned before/after view of one image, and the second image is not a corrected result. Pause or select an image to enlarge.
Apply and wait for analysis
Apply sets the area for the current frame; Apply to All sets it for the whole roll. Use Apply to All only if the other frames have matching formats and positions. Calibrating afterward is normal. Wait for it to finish before checking the conversion.
Red outline in the Viewer toolbar: Apply affects the current frame; Apply to All affects the roll. Check that the other frames have matching positions first.Select image to enlarge The roll-wide action in the Contact Sheet
You can also right-click the frame with the intended area in the Contact Sheet and choose Apply Calibration Area to All. This is roll-wide, not limited to a multi-selection. Check frames with different formats or positions separately.
The roll-wide action in the Contact SheetSelect image to enlarge
Check the result
Perforations, the light source, and abnormal edges are outside the box. If you applied to all, check that the area also fits the other frames. Inspect the conversion once analysis finishes, and use Crop for the final image boundaries.
Common issues
- Some frames look wrong after applying to all: check differing positions, formats, or orientation and adjust those frames individually.
- The full border is still visible: Calibration Area is not the composition crop. Set the output framing with Crop.